博客來精選推薦Radicalism in the Wilderness- International Contemporaneity and 1960s Art in Japan

Radicalism in the Wilderness- International Contemporaneity and 1960s Art in Japan

Radicalism in the Wilderness- International Contemporaneity and 1960s Art in Japan 評價

網友滿意度：



不論是在學生時期或開始工作後

我對語言一直都有難以言喻的嚮往~~

自英文的從國中啟蒙

能夠用其他語言的邏輯來思考事情

也是一件很有趣的一件事

跟一般人喜歡用吃吃喝喝出遊玩來打發時間

我更喜歡用書籍安靜的充實自己

所以特別跟大家推薦我目前在看的

Radicalism in the Wilderness- International Contemporaneity and 1960s Art in Japan

非常好上手、條理分明

對於希望入門別太難的人很適合

而且這最大的成就感就是用新學的

語言查資料了XD

看自己key出之前完全不了解的文字或音

真的有滿滿的感動啊~~

希望推薦的這本書能夠讓大家都能

感受或得知識的喜悅!

一起讀書向前邁進吧!

台中水晶店



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Radicalism in the Wilderness- International Contemporaneity and 1960s Art in Japan

本週熱銷商品:

Smoothie

On Trust- A Book of Lies

商品訊息功能:

商品訊息描述:

Innovative artists in 1960s Japan who made art in the ＂wilderness＂ -- away from Tokyo, outside traditional norms, and with little institutional support -- with global resonances.

1960s Japan was one of the world’s major frontiers of vanguard art. As Japanese artists developed diverse practices parallel to, and sometimes antecedent to, their Western counterparts, they found themselves in a new reality of ＂international contemporaneity＂ ( kokusaiteki dojisei). In this book Reiko Tomii examines three key figures in Japanese art of the 1960s who made radical and inventive art in the ＂wilderness＂ -- away from Tokyo, outside traditional norms, and with little institutional support.

These practitioners are the conceptualist Matsuzawa Yutaka, known for the principle of ＂vanishing of matter＂ and the practice of ＂meditative visualization＂ ( kannen); The Play, a collective of ＂Happeners＂; and the local collective GUN (Group Ultra Niigata). The innovative work of these artists included a visionary exhibition in Central Japan of ＂formless emissions＂ organized by Matsuzwa; the launching of a huge fiberglass egg -- ＂an image of liberation＂ -- from the southernmost tip of Japan’s main island by The Play; and gorgeous color field abstractions painted by GUN on accumulating snow on the riverbeds of the Shinano River. Pioneers in conceptualism, performance art, land art, mail art, and political art, these artists delved into the local and achieved global relevance.

Making ＂connections＂ and finding ＂resonances＂ between these three practitioners and artists elsewhere, Tomii links their local practices to the global narrative and illuminates the fundamentally ＂similar yet dissimilar＂ characteristics of their work. In her reading, Japan becomes a paradigmatic site of world art history, on the periphery but asserting its place through hard-won international contemporaneity.

商品訊息簡述:

• 作者： Tomii, Reiko
• 原文出版社：Mit Pr
• 出版日期：2018/03/23
• 語言：英文

Radicalism in the Wilderness- International Contemporaneity and 1960s Art in Japan